Paradiso: Canto XXIII -- The Fixed Stars
Blessed James Oldo and his wife taught us the meaning of storing up treasures in heaven by intentionally developing and meaningfully engaging communities of faith here on earth. We are all called to be saints in heaven, as I posted to Fr. Earl in response to yesterday's commentary, through our voluntarily striving to be Christ for others while here on earth. The idea of voluntary engagement is important not only in the sense of which Aristotle speaks, but also in the Christological sense of ensuring that an action done is in accordance with the free will given to us by God. If we don't act through free will, then we cannot properly orient ourselves to God's will, and when we give our free will to God in order to become extensions of God's will (instruments of his peace), like Peter Damiano whom we met earlier, or like Mary, whom we meet in this canto, that gift is made in all consciousness of our will through its freedom to act.

In speaking of the voluntary and the involuntary, Aristotle makes a point that resonates with Christ's pardon of his crucifiers -- "Forgive them, Father, they know not what they do." These Romans and Jews who nailed Christ and jeered are the only souls we know who, unlike Guido da Montelfeltro, could be pardoned for a mortal sin while they were committing it and not through any voluntary action of their own, but entirely through Christ's beneficence and mercy, a mercy that our own Pilgrim Christopher Martin taught me he also extended to the first canonized saint of the Catholic Church, St. Dismas, the thief hanging with him to whom he promised on that very day the gates of paradise. Dante's meeting with Christ in this canto is a similar promise, for though he swoons from the experience of being in the presence of so much love (remember, he swooned twice out of love when he first began his journey), Dante is filled with enough love by Christ to enable him to finally withstand Beatrice's smile of bliss.
S.

In speaking of the voluntary and the involuntary, Aristotle makes a point that resonates with Christ's pardon of his crucifiers -- "Forgive them, Father, they know not what they do." These Romans and Jews who nailed Christ and jeered are the only souls we know who, unlike Guido da Montelfeltro, could be pardoned for a mortal sin while they were committing it and not through any voluntary action of their own, but entirely through Christ's beneficence and mercy, a mercy that our own Pilgrim Christopher Martin taught me he also extended to the first canonized saint of the Catholic Church, St. Dismas, the thief hanging with him to whom he promised on that very day the gates of paradise. Dante's meeting with Christ in this canto is a similar promise, for though he swoons from the experience of being in the presence of so much love (remember, he swooned twice out of love when he first began his journey), Dante is filled with enough love by Christ to enable him to finally withstand Beatrice's smile of bliss.
S.


9 Comments:
Dante's praise of the Virgin Mary is typical of the mariology of his time. But he has one tercet in this Canto (106-108) which I would expect commentaries to contest, although I have found no such objection, yet. "You follow your great Son to the highest sphere and by your presence, make it holier still." The original Italian (holy, divine, blessed?) is crucial here (and beyond me) but contemporary mariology might object to a "divinization" of Mary in such an expression.
Yet the Canto is wonderful and it is a refreshing echo in our great tradtion to hear Dante, centuries ago, sing the "Regina Coeli" in this Easter season.
Fr. Earl, I'm sending your comment to Fr. Lockwood, our Mariologist, for his thoughts and reflections.
S.
Fr. Lockwood's response,
"There was a tendency to present Mary as the holy archetype that the church should imitate during this period. The medieval church was coming to grips with what the early church had made clear (by its controversies and conciliar infighting): the church day to day wasn’t very holy. This would be especially true for Dante, who loved to point this out, bishop after bishop, pope after pope. Mary then becomes the ideal of holiness and devotion, and it shouldn’t surprise any of us that her holiness is considered “additive” in some ethereal sense to the halls of heaven. The holiness of creatures adds to the glory of the God who inspired them; the glory of God is shown forth in His creatures. It may be found to be “over the top” by jaundiced modern commentators, but I would let Mariology be Mariology in all its historical strata, and not get too focused on modern critique of past devotion; the relative paucity of good Mariology for most of the second half of the 20th century says much about the critique.
Fr. GJL"
Fr. Lockwood always offers a refreshing perspective on Mariology.
Here in canto XXIII we have Dante fainting, but for some reason I don't seem to mind the fact that Dante fainted this time. The other times while in the Inferno Dante's reason for fainting seem weak and quite immature; we get the sense from Virgil that he feels the same way. But in canto XXIII we find Beatrice helping and supporting Dante in his fallen state. I find it interesting that Dante is able to finely see Beatrice with his own eyes completely and fully only after having gotten a glance of the triumphant Christ. I guess that most people would see this as being backwards, that in order to be able to see Christ one should first be able to know and see love. Although this is kind of true, Dante is able to kind of see Beatrice who resembles eternal love, it is not until after Christ appears to him that he is able to fully see Beatrice the love that she is.
I'm a little confused about the text in lines 106 --109. Dante writes” so shall I wheel, Lady of Heaven, till you follow your great son to the highest sphere and, by your presence, make it holier steel." I'm not sure I agree with these lines, a sure seems that Dante is saying that the place were Christ is would be holier with the presence of Mary been there. I am not sure I agree that this, because we know that Christ is part of the Trinity, God made man, flesh incarnate so there is nothing that could possibly make the place that he is any more holier, devout, or complete. I wonder what it was that Dante was trying to get across in these lines, for the most part Dante is really been good about his theology however this part about Mary seems a little messed up. What does everyone else think?
So I have done this once and somehow deleted it this time it's going to be much shorter. I guess my main point is that Dante here in Paradise is never really confronted about the fact that he is mortal. The shades in the Paradiso don't seem to be bothered with that fact, if I remember correctly only one really has mention the fact that he is mortal were as in the Inferno and Purgatory this shades are constantly pointing out the fact that he is not supposed to be there. In heaven however they don't seem to be caught up at this fact they the past it and rather look at what is they can do to help Dante and gained his final salvation. Throughout most of the comedy Dante has had to ask the shades about themselves, many times it is like pulling teeth to get information from. Appear in heaven we find the most other people are wanting to an eager to tell about themselves in order to better informed Dante about Paradise a complete change her what we had seen before.
Well, Adam, that's two main points -- one on Mary's sovereignty in heaven, to which I refer you back to the activities board of this canto and to Frs. Morris and Brennan's discussion on the subject and to Fr. Lockwood's response above your posting. For the lay impression, think back to Justinian in the sphere of Mercury when the souls set upon Dante with the idea that here is one who will increase their love -- their love is already perfect, so Dante's presence can't make it more perfect. What Dante can do, though, is add his light to the light of those who arrive, and the combined light will be greater by one candle than it was before. Same thing, you might say, with Mary -- her presence with Christ makes his presence in heaven brighter than his presence alone though that might seem paradoxical if Christ is the way and the light.
Your second point was on Dante's mortality, and you noticed that Aquinas announces Dante's salvation in his conversation with him. That Dante is still in the flesh doesn't bother anyone in heaven because they're used to seeing miracles like this and understanding them implicitly -- all is self-evident and intuitive whereas in hell the souls were blind to any miracles and in purgatory they hadn't yet received revelation.
Good thoughts -- keep them coming.
S.
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